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Coel Hen ap Tegfan



Preferred Parents:
Father: Tegfan Tasciovanus ap Deheuwaint, b. 328 in Radnorshire, Wales   d. in Rheged, Northumbria, England
Mother: Wladysus verch Edenowen, b. 330 in Wales   d. 380 in Wales

Family 1: Ystradwel verch Gadeon,    b. in Cornwall, England    d. in Colchester, Essex, England
  1. Gwawl Coel, b. ABT 388 in Eburacum, Roman Britannia     d. 459 in Connah's Quay, Dukedom of Gwynedd, (Wales)
  2. Ceneu ap Coel Hen King of Briton Brenin and Catraeth, b. ABT 375 in Pennines     d. 470 in Tarbolton, Ayrshire, Scotland
Sources:
  1. Title: Wikiwand: Old King Cole
    Publication: Name: https://www.wikiwand.com/en/Old_King_Cole;
    Note: "Old King Cole" is a British nursery rhyme first attested in 1708. Though there is much speculation about the identity of King Cole, it is unlikely that he can be identified reliably as any historical figure. It has a Roud Folk Song Index number of 1164. The poem describes a merry king who called for his pipe, bowl, and musicians, with the details varying among versions. The "bowl" is a drinking vessel, while the "pipe" may be either a musical instrument or a pipe for smoking tobacco. Lyrics The most common modern version of the rhyme is: Old King Cole was a merry old soul, And a merry old soul was he; He called for his pipe, and he called for his bowl, And he called for his fiddlers three. Every fiddler he had a fiddle, And a very fine fiddle had he; Oh there's none so rare, as can compare, With King Cole and his fiddlers three. The song is first attested in William King in his Useful Transactions in Philosophy in 1708–9. King's version has the following lyrics: Good King Cole, And he call'd for his Bowle, And he call'd for Fidler's three; And there was Fiddle, Fiddle, And twice Fiddle, Fiddle, For 'twas my Lady's Birth-day, Therefore we keep Holy-day And come to be merry. Identity of King Cole There is much speculation about the identity of King Cole, but it is unlikely that he can be identified reliably given the centuries between the attestation of the rhyme and the putative identities; none of the extant theories are well supported. William King mentions two possibilities: the "Prince that Built Colchester" and a 12th-century cloth merchant from Reading named Cole-brook. Sir Walter Scott thought that "Auld King Coul" was Cumhall, the father of the giant Fyn M'Coule (Finn McCool). Other modern sources suggest (without much justification) that he was Richard Cole (1568-1614) of Bucks in the parish of Woolfardisworthy on the north coast of Devon, whose monument and effigy survive in All Hallows Church, Woolfardisworthy. Coel Hen theory It is often noted that the name of the legendary Welsh king Coel Hen can be translated 'Old Cole' or 'Old King Cole'. This sometimes leads to speculation that he, or some other Coel in Roman Britain, is the model for Old King Cole of the nursery rhyme. However, there is no documentation of a connection between the fourth-century figures and the eighteenth-century nursery rhyme. There is also a dubious connection of Old King Cole to Cornwall and King Arthur found at Tintagel Castle that there was a Cornish King or Lord Coel. Further speculation connects Old King Cole and thus Coel Hen to Colchester, but in fact Colchester was not named for Coel Hen. Connecting with the musical theme of the nursery rhyme, according to a much later source, Coel Hen supposedly had a daughter who was skilled in music, according to Geoffrey of Monmouth, writing in the 12th century. Cole-brook theory In the 19th century William Chappell, an expert on popular music, suggested the possibility that the "Old King Cole" was really "Old Cole," alias Thomas Cole-brook, a supposed 12th-century Reading cloth merchant whose story was recounted by Thomas Deloney in his Pleasant History of Thomas of Reading (c. 1598), and who was well known as a character in plays of the early 17th century. The name "Old Cole" had some special meaning in Elizabethan theatre, but it is unclear what it was. Modern usage This section contains a list of miscellaneous information. Please relocate any relevant information into other sections or articles. (March 2017) King Cole is often referenced in popular culture. In literature Wikisource has original text related to this article: Old King Cole (1985) One of the world's smallest books is about Old King Cole. It measures 1mm x 1mm and was printed in Paisley, Scotland in 1985. There are only 85 known copies. In music In 1927, Moshe Nadir (1885–1943) published a Yiddish adaptation of "Old King Cole", "Der Rebbe Elimelech". It has since become a popular Yiddish folksong. The progressive rock band Genesis included a version of the traditional rhyme on their song "The Musical Box," from their 1971 album Nursery Cryme. Queen paraphrased the rhyme in their song "Great King Rat" on their 1973 self-titled album: Great King Rat was a dirty old man And a dirty old man was he Now what did I tell you Would you like to see? The rhyme has appeared in children's television. For example, it was sung on the television show Barney & Friends, but with the last few lyrics simplified (which were also adjusted for the drummer and trumpeter verses): Dance with the fiddlers, Dance with the fiddlers Dance with the fiddlers three. It has also been used repeatedly in Sesame Street, using the fiddlers as a way to illustrate principles of basic addition (with Ernie taking the role of Old King Cole), and again with William Wegman's dogs on the show (with Chundo as Old King Cole). Pop singer Nat "King" Cole (actual surname Coles) said his nickname was inspired by "Old King Cole." The "King" in Nat Cole's name was usually used in quotation marks during his lifetime, but today it is often seen as though it were part of his name. Cole Alexander of Atlanta punk band Black Lips has also adopted the name, and performs solo as Old King Cole Younger, a name also partially derived from Confederate guerilla and later Old West outlaw Cole Younger. As a marching cadence The United States military has used versions of the traditional rhyme in the form of marching cadences, since at least the 1920s up to the present. A modern example begins: Old King Cole was a merry old soul and a merry ol' soul was he, uh huh. He called for his pipe, and he called for his bowl and he called for his privates three, uh huh. Beer! Beer! Beer! cried the private. Brave men are we There's none so fair as they can compare to the airborne infantry, uh huh. The cadence includes verses for ranks from private to general, in the form of a cumulative song; each verse included a satire at the expense of each rank: "Beer beer beer" said the privates, "Where's my three-day pass" said the corporals, "Drill drill drill" said the sergeant, "Who's gonna read my map" said the looie, "Who's gonna shine my boots" said the captain, "Who's gonna drive my jeep" said the major, "Who's gonna mow my lawn" said the colonel, "Who's gonna walk my dog" said the general. A version of the cadence can be heard on the 1960 album Belafonte Returns to Carnegie Hall by Harry Belafonte. Another can be found in a 1929 music book, "Sound Off!" Soldier songs from Yankee Doodle to Parley Voo" by Edward Arthur Dolph. In fiction The Pickwick Papers (1836) by Charles Dickens contains a short tale called "The True Legend of Prince Bladud" concerning the founding of the city of Bath that is read by Pickwick while he is staying in the city. Within this Dickens describes "the famous and renowned Lud Hudibras, King of Britain," comparing him in likeness to "the venerable King Cole." In his 1897 anthology Mother Goose in Prose, L. Frank Baum included a story explaining the background to the nursery rhyme. In this version, Cole is a commoner who is selected at random to succeed the King of Whatland when the latter dies without heir. James Joyce made reference to the rhyme in Finnegans Wake (619.27f): With pipe on bowl. Terce for a fiddler, sixt for makmerriers, none for a Cole. Joyce is also punning on the canonical hours tierce, sext, and nones, in "Terce ... sixt ... none", and on Fionn MacCool and his Fianna, in "fiddlers ... makmerriers ... Cole." The Old King Cole theme appeared twice in 1933 cartoons: Walt Disney made a Silly Symphony cartoon called "Old King Cole", in which the character holds a huge party where various nursery rhyme characters are invited. Walter Lantz produced an Oswald cartoon the same year, entitled The Merry Old Soul, which is in reference to the nursery rhyme. "Farmer Giles of Ham" (1937) by J.R.R. Tolkien is stated (despite anachronisms like blunderbusses) by the author to take place "after the time of King Cole, but before King Arthur." The Three Stooges' 1948 short film "Fiddlers Three" features Larry, Moe and Shemp as musicians in King Cole's court who must stop an evil wizard from stealing the king's daughter. In the Fables comic book, King Cole was the long-time mayor of Fabletown, a secret community of "Fables" or fairytale characters, who were forced into exile in our world by a conqueror in their own alternate reality. He was defeated in an election by Prince Charming and was no longer mayor. He then became ambassador of Fabletown to the Arabian fables. After deciding to plan war to win back their homelands, he returned to Fabletown, assuming first the post of deputy mayor and then mayor respectively, after the resignation of Prince Charming. The gist of this storyline is reprised in the 2013 Fables video game The Wolf Among Us Characters based on Cole have featured in other video games. In Banjo-Tooie (2000), there is a boss opponent named Old King Coal whom the duo battle over control of a steam train. After King Coal states he wishes to battle Banjo and Kazooie, Kazooie reples "But you're supposed to be a merry old soul!", further referencing the rhyme. In the online game AdventureQuest Worlds (2008) there is also a non-player character called Old King Coal. In the 2009 animated movie Happily N'Ever After 2: Snow White—Another Bite @ the Apple, Old King Cole (voiced by Cam Clarke) is amalgamated with the king who is Snow White's father. Paul Reakes wrote a stage pantomime adaptation, also called Old King Cole (2012). It is a farce about the king choosing a queen from among his household staff, intended for school plays. In humor and satire G. K. Chesterton wrote a poem ("Old King Cole: A Parody") which presented the nursery rhyme successively in the styles of several poets: Alfred Lord Tennyson, W. B. Yeats, Robert Browning,
  2. Title: Wikiwand: Hen Ogledd
    Author: From Wikipedia, the free encyclopedia
    Publication: Name: https://www.wikiwand.com/en/Hen_Ogledd;
    Note: "Yr Hen Ogledd" (Welsh pronunciation: [ər ˌheːn ˈɔɡlɛð]), in English the Old North, is the region of Northern England and the southern Scottish Lowlands inhabited by the Celtic Britons of sub-Roman Britain in the Early Middle Ages. Its denizens spoke a variety of the Brittonic language known as Cumbric. The Hen Ogledd was distinct from the parts of northern Britain inhabited by the Picts, Anglo-Saxons, and Scoti as well as from Wales, although the people of the Hen Ogledd were the same Brittonic stock as the Picts, Welsh and Cornish, and the region loomed large in Welsh literature and tradition for centuries after its kingdoms had disappeared. The major kingdoms of the Hen Ogledd were Elmet in western Yorkshire; Gododdin in Lothian and the Scottish Borders; Rheged, centred in Galloway; and Kingdom of Strathclyde, situated around the Firth of Clyde. Smaller kingdoms or districts included Aeron, Calchfynydd, Eidyn, Lleuddiniawn, and Manaw Gododdin; the last three were evidently parts of Gododdin. The Angle kingdoms of Deira and Bernicia both had Brittonic-derived names, suggesting they may have been Brittonic kingdoms in origin. All the kingdoms of the Old North except Strathclyde were conquered by Anglo-Saxons and Picts by about 800; Strathclyde was incorporated into the rising Middle Irish-speaking Kingdom of Scotland in the 11th century. The legacy of the Hen Ogledd remained strong in Wales. Welsh tradition included genealogies of the Gwŷr y Gogledd, or Men of the North, and several important Welsh dynasties traced their lineage to them. A number of important early Welsh texts were attributed to the Men of the North, such as Taliesin, Aneirin, Myrddin Wyllt, and the Cynfeirdd poets. Heroes of the north such as Urien, Owain mab Urien, and Coel Hen and his descendants feature in Welsh poetry and the Welsh Triads. Background Almost nothing is reliably known of Central Britain before c. 550. There had never been a period of long-term, effective Roman control north of the Tyne–Solway line, and south of that line effective Roman control ended long before the traditionally given date of departure of the Roman military from Roman Britain in 407. It was noted in the writings of Ammianus Marcellinus and others that there was ever-decreasing Roman control from about AD 100 onward, and in the years after 360 there was widespread disorder and the large-scale permanent abandonment of territory by the Romans. By 550, the region was controlled by native Brittonic-speaking peoples except for the eastern coastal areas, which were controlled by the Anglian peoples of Bernicia and Deira. To the north were the Picts (now also accepted as Brittonic speakers prior to Gaelicisation) with the Gaelic kingdom of Dál Riata to the northwest. All of these peoples would play a role in the history of the Old North. Historical context From a historical perspective, wars were frequently internecine, and Britons were aggressors as well as defenders, as was also true of the Angles, Picts, and Gaels.[citation needed] However, those Welsh stories of the Old North that tell of Briton fighting Anglian have a counterpart, told from the opposite side. The story of the demise of the kingdoms of the Old North is the story of the rise of the Kingdom of Northumbria from two coastal kingdoms to become the premier power in Britain north of the Humber and south of the Firth of Clyde and the Firth of Forth.

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